Alice in Bondageland

Welcome, subs and deniers, to the second installment of Petspective. A hardcore look at the hardcore scene of hardcore bondage movies. Last time was so much fun, you better have read then watched the movie, so here's hoping this time it'll be just as good. And you'll all go out and watch the movie. If I recommend it in the end. This week, we're taking a look at...

“Alice in Bondageland”

Starring: Charlie, Epiphany, Kelly O'Dell, and Olivia Outre

Directed by: Harold Lime

Production Year: 1997

Run Time: 50minutes

Kinks: Submission, feet, restraints, combative subs

Techniques: Whipping, breast squeezing, clamps, spike wheels.

Premise: The Red Queen (Olivia Outre) hires Alice (Epiphany) as a stenographer to take notes as she experiments on both Subject A (Kelly O'Dell) and Subject B (Charlie) hoping to make Subject A's obedient attitude transfer to the combative Subject B and vice versa.

So let's just get the obviousness out of the way. Yes, this movie is now twenty years old and that's a reason to be doing it now. Because it's like the twentieth anniversary in my start of these movie collections. Sort of. I got this movie a few years after it came out so...yeah. We're still celebrating something, shut up!

Wardrobe

Very simple but very effective. Red for the Red Queen, obviously, white for Alice to showcase her purity. A showy collar for Subject A given she was shown to be owned and a spiked one for Subject B to highlight her combative nature.

Introduction

It's pretty simple. We see Alice approaching a building arriving to start her job as a stenographer. Once inside, though, she finds things aren't exactly as they seem. The Red Queen introduces herself as such and explains her plan, or the premise of the movie, before calling in Subject A (henceforth referred to as Kelly) who immediately takes to her knees by her Mistress. So Alice gets the sense right there. But then they move onto a room where Subject B (henceforth referred to as Charlie) is bound up and struggling. Being the combative one and such. Red Queen leaves, we get a very short conversation between the three remaining, and in comes the ballgag into Alice's mouth. Right, let's get into some dominating!

Act I Part I

So first thing that happens is Alice's gag is removed as she's already chained down in a chair meaning her job of taking notes is more...making mental notes. Which is fine, she's made it clear by that point she doesn't want to partake anyway.

So Kelly is lightly suspended by the wrists at the start being asked what she wants and Kelly lists them off. Breast press, spike wheel, whips, to be suspended, and to have clothespins clipped to her body. Red Queen then sets out to oblige in each of these first starting with the breast press and suspending Kelly's arms even higher. For those not in the know, a breast press is pretty much to bits of curved wood that are brought down from above and below the breasts to put pressure on them. It's a quick way to get those red boobs, I'll tell you that much. This was kind of a bigger design that attached to her collar, which was pretty cool. This was about controlling her positioning as even her ankles were kept separated with the help of a spread bar. Remember, Red Queen's true desire with Kelly is to showcase her complete obedience and transform her into a rebellious bitch. So first, reward her loyalty.

Before I begin, I'm going to talk banter. Yeah, I know, but this is a review. Kelly's tone suggested she was certainly obedient, but moreso for the pleasure of pain than actually wanting to serve Red Queen in any other means. Like, she'd be the type that if Red Queen took her for a walk she'd still want to be whipped by the leash. It's a form of obedience, don't get me wrong, but it's something I thought would be worth mentioning since I think what's-her-tits covered it in an earlier blog about the different types of submissives. Alright, back to the good stuff.

The spike wheel is pretty simplistic. Just roll it over the flesh and let the constant pricks do their worse. Red Queen was focusing over Kelly's nipples, given they were already made well sensitive by this point already with the breast press. After that came the whipping, which was mostly along the ass and thighs, as again it could best demonstrate Kelly's obedience in her acceptance and desire in being whipped by pushing out her rear. It was your standard double flogger affair, which. I. FUCKING. Loved! Mostly Kelly's little bounce dance with her delicious ass as she took each shot. I want to make it a gif so I can play it over and over and over again. In fact...

Just a quick banter note, Kelly's giggles during the whipping was absolutely adorable. Even if it does sort of confirm what I mentioned above. The poor dear even questioned a little when the breast press was being removed. But it needed to be moved to make way for the clothespins. A nice cute and tender part between Mistress and Slave. Why? Because Kelly got to pick the order of the colors attached to her! That's why. Starting with four pink, four green, and two blue around her breasts (on either side) there were two more blue ones attached to her pussy lips. After playing around with them some, Red Queen asked Kelly how many whips she thought it would take before they would be removed. Kelly's answer was 12 but Red Queen suggested 20 and the count off began! Afterward, all but the inside breast ones were removed with Red Queen's mouth. Good girl. :)

Of course, now that Kelly had been given what she wanted it was time for the Red Queen to do what she wanted warning her subject that she most certainly wouldn't enjoy it. Cue the whimpers and my maniacal laugh. :)

Act I Part II

“What is this crazy thing?” Kelly, upon being set up for the second part of the act. Have you ever seen the torture scene from the redone Casino Royale? Don't have to ask which, you know the one I'm talking about. But instead of leaving Bond seated on the ground, have that bottomless chair hoisted up a few feet in the air and tilted back a little. Relaxing, no? No. Because here come the spike gloves. Leather gloves with little metal spikes embedded into the fingers. Give a handshake with those and I guarantee even Trump would let you go right away.

So what's their use? How about a little of all over starting with the breasts then working their way down the body, over the legs, and eventually around the backside. As Red Queen stated, this was definitely not enjoyed by Kelly who had her serious misgivings about the whole thing. But this wasn't enough to break her down to the other side. Her tone obviously changes, she pleads a lot more and Alice cringes even moreso than when she was watching Kelly take what she loved. But more on Alice's reactions later.

Following the gloves came the thick crop. Just a length of leather on a long stick and you have yourself a party. Red Queen smacked Kelly's breasts and body around a bit before pleaded for her feet to get some attention. Yep, this is where the feetish scene comes into play as we get a full scene from underneath as the crop was smacked against it a few times. Afterward, there were definite signs of cracks in Kelly's loyalty but was she changed? WATCH IT YOURSELVES!!!

Act II Part I

Now comes Charlie and her experimentation process. If you don't recall from above, Charlie is the combative one that the Red Queen is wanting to turn into an obedient slave. So...essentially what a lot of people hope for when watching these types of films. You want to see someone uncertain about the whole bondage scene put up a fight before ultimately submitting themselves quite willingly. And if you argue that, I've got $800M in the box office that says otherwise. You filthy casuals...

So given that Charlie is combative, she needs to be set up in a way that renders her unable to fight back. But it does bring about the question of “how”...but you never ask those questions during porn! So essentially, Charlie's wrists and ankles are tied up to this bar and she's elevated up a few feet in the air. Lots of suspension in this movie, but they're not done with it yet.

So tone...the banter here was unfortunately a little on the weak side. It is hard to act like you don't enjoy what your body is telling you it is. It's a different creature in some Hollywood movie. You're not really getting socked in the stomach, but Charlie was getting smacked against her breasts and pussy. That and it did take some time for the banter to get going in some way. Like everyone was enjoying what was going on and someone was like “Oh yeah! Charlie, you're supposed to be resisting!” But I'm probably in the major minority on things like this, people just want to see things happen.

So it's the return of the thick crop. That's the unfortunate thing as a lot of tools get reused in this one. Though alongside the whipping there, we get some serious boob play with the squeezing and meshing of those illustrious orbs. Even nipple meeting nipple! After which, the flogger comes back into play and we get some pussy, breast, and leg shots. There's no real zoom in on much, so you get a good chance to watch everything a lot more as opposed to those 10, 15, 20 second complete shots of only where the action is. I like seeing reactions and with this one a lot of it needed to be seen. We needed to see Charlie's struggle in her bonds and whatnot. At the end, it becomes clear that Red Queen isn't done with her.

Act II Part II

I think I preferred this setup more than all setups, given my reading between the lines style when watching these movies. Spread bar for the legs, but that just made sense. And a T station in behind Charlie binding her wrists forcing her body open while she faced the Red Queen. This was where we were destined to get that whole struggle sequence and we got it through expressions. Charlie kept her smoldering glare going whenever she could and the Red Queen kept working around it knowing her subject couldn't do a damn thing.

First toys used were thin, stick whips. Lengthy sticks that could sway when whipped that had little tendrils attached at the end of them for quick, rapid strikes. And quick, rapid strikes is exactly what you get with these with really little effort. These don't leave as much of a mark, mind you, but they're certainly felt as Charlie shows in her struggle and growing moans. There are times when Charlie shows she's enjoying it so is she on the path to becoming a complete submissive? Watch the movie and find out!

Next up comes the double floggers. I'm gonna be honest and say I was a little upset with the continuation of certain toys throughout. It didn't stop my enjoyment, but it certainly didn't build it up too much. All I had was Charlie's hot bod. Hot realistic bod, should point that out. Anyway, it was the return of the floggers, the heavy hitting instruments, that brought back Charlie's full combative nature. Which, obviously, was awesome because you don't want to see someone break so early on. That's not fun, you wanna watch the progression.

And progression eventually came down to...two spike wheels! Whaaaaaaaaaaat??? I know, right. Double the pleasure though as on came the whimperings as the wheels explored around Charlie's delicate frame. It was a short sequence though, which had the wheels go from her breasts down to her stomach, over her pussy, and along her legs before going all the way back up. Then...defiance, or submission? Has Charlie had enough? Or is her will left unshattered?

Go. Watch. THE MOVIE!

Act III Part I

So we've seen Subject A and Subject B both get theirs while Alice sat by watching helplessly...is this where she breaks free and aids both Kelly and Charlie in a three on one assault against the Queen? Each taking their turns with her? No, because the Red Queen is perfect and you must all bow down to her. In fact, just bow down to me. I can be your Red Queen. I can be your Red Goddess.

This scene is to find out just which side of the coin Alice is on. Is she a submissive? Or a combative? Well, if you weren't paying attention to her struggles in her own bonds and the weird looks she was giving during, then you certainly won't see the fact coming that Alice is a combative. Though...not in the same sense as Charlie. Alice is more a pleading combative. The “You crazy bitch” kind of gal. We find this out very early on in their session.

So, to start, Alice has some light rope bondage around her frame as she's strapped frontwards to a St Andrews Cross. Or, basically, a large wooden X. You've seen those before, I'm sure. So what toy gets used in this scene? A thinner crop, which is good given how it commands immediate attention. Like there's no ignoring those shots, no matter which side you are. Believe me. :P

Banter, yes. The banter here was actually pretty good. Though I think a fair deal of it was because if there's one movie Epiphany excels in, it's these types of films. Seriously, looking back on her track record she's almost as bad as I am. So, undoubtedly, she's picked up on a few lines here and there that work well in these situations. Her squeaks and moans were up there as well so those naughty boys and girls trying to watch this without waking certain people might want to lower the volume on this one.

So back to it. So the crop gets some work, then the flogger. Can't go without that. By now you kinda get the sense of where it's going. Then a whip that seems primed on smacking Alice's tiny nipples. Tiny, cute little nipples. So all you haters can go gush out over her, if you don't like mine. Body perfectionists. Spit on all of you, if I could. Though those nipples get some further attention in the form of metal clamps with a chain. The chain doesn't get played with much, but we get some weights along the clamps themselves. Of course, before the weights comes the spike wheel. Again, but this time for a reason. Red Queen questions Alice's potential wondering about how it felt after seeing it and, of course, Alice wasn't wondering at all. Doesn't stop Red Queen though. So with her nipples clamped, weighed down, and poked, it was time for the thin flogger to smack them around further. I think I enjoyed it more because I was thinking of the little bitches who'd love her nipples over my own. My body is glorious and you're all jealous I'm not letting you near it.

Act III Part II

It's the exact same set up as the first part, only Alice is turned around so her ass is facing out with the thin crop getting used over her ass. Though, after a few smacks, it became clear to me where things were eventually going. Alice has a shoulder tattoo and that said to me “Target”. The more exposed from her hair it became, the more true that thought was. Especially with the flogger. I was like “Seriously?” Then I laughed because I was right again.

Of course, her ass also got the nice work over with the flogger striking it a glowing pink. Her cheeks were incredibly responsive too. I mean, when you see her in the final scene you understand fully how little weight she has to her but her cheeks were still nice, plump, and bouncy. All the good signs of a perfect pillow.

Act III Part III

So more suspension only this one I would dub as being “Catch of the Day” as the restraints were set around Alice's ankles leaving the rest of her perfectly free as she was hoisted in the air. Not too high, but certainly high enough that her hands could no longer touch the floor. So she was swaying there, helpless in what was going on being turned every so often in between having her body whipped.

With what, you ask? The flogger? The crop? The thin stick whip? There you go, it's the last one. Simple strikes to warm her body back up to the coming punishments. Made sense given how long it would take with the rigging and such. Then came the heavy striking flogger giving her ass more bounce. If people don't know by now, I'm an ass girl, okay? Just look at that gif! Then go to my Twitter and see it there again and all my other ass shots. Then send me more shots with the question “Rate the pillow” and I'll let you know how I feel about it. Though no animals and no guys. Ew and ew.

Yes, I did notice Alice bringing up her hands to rub along her backside and was a little annoyed, given by then I was kissing the screen. Once her body was fully worked over, Red Queen began using two thin stick whips smacking them along her body and turning her over so she could get at her breasts. So remember when I told you to turn down the volume before? Turn it down a little more here because, as I mentioned above, those stick whips are for quick and rapid fire strikes so there's a lot more moaning here.

Conclusion

We get an Alice in Wonderland reference and Alice coming back to the building only to find it condemned. The end.

By the end mental state

I'm not going to cover these anymore because I don't want to spoil things for those wanting to watch. No...those who WILL be watching these movies. But I have my theories. Tweet me if you want to talk more about them.

Final Score

I was checking the clock a couple times, though they were quick peeks given I was brought back into the film. Just the overuse of certain toys even in the different positions kinda dragged on a bit. But if you can get into it and enjoy the actual premise of these films, like me, then it doesn't matter.

How I would have done things

I'll talk about the ending, given there's not much spoilers there. As I said, it shows next day footage of Alice referencing the book then visiting the building again. I would have left the voiceover, because the line was good but it could have been used for better. I would have had the Red Queen still offer to let Alice go...but as a second offer, hold out a collar. There'd be the voiceover of Alice wondering how far down the rabbit hole she was willing to go while the camera focuses on her pondering expression. Does she accept the collar? Does she leave? We don't know, because...credits.

Screenshots

Because I'm far too kind to you sometimes.